J'accuse - Iain MacWhirter

“How did this ever come about? How did Edinburgh become the biggest welfare state in history? By what divine right did it gain access to unlimited sources of public funds just at the moment when Britain is on the verge of national bankruptcy through excessive public spending?”

The wailing sound above which comes from atop a columnular high horse in a recent Herald column by journalist Iain MacWhirter. As he goes on to disparage the city I called home for almost 30 years and an industry in which I worked for 6, I think a riposte of some kind is in order. But first, if you haven't already, go and take in the flavour and fact of his epistle. I'll stick the kettle on while you do...

Finished? Then we can get down to business of taking his argument to bits. First of all, he's just plain wrong to contend that Edinburgh is sustained by public cash to anything like the extent that he does. The House of Commons Library helpfully provide some stats on this front for Westminster seats on mainland Britain and although they're from 2008, the proportions will still hold up pretty well.

While Edinburgh South is top of the GB pile having 67% of workers in the public sector, that compares to a city-wide average of just over 30%. Edinburgh South, of course, contains nearly all of the jobs at Edinburgh University. Therefore, if you base your observations of Edinburgh's economy on what you'd see during a bus journey from, say, the King's Buildings to Potterrow passing the National Library and Historic Scotland on the way, then you're unlikely to get a very representative view of things.

For the purposes of comparison, Glasgow and Aberdeen are both at around 30%, with Dundee on 37%. Overall, the Scottish total from these figures is 30.3%, which isn't too out of step with the Scottish Government's figure, which is calculated on a different basis, of 27%. For what its worth, up here in Gordon, which takes in some of the northern suburbs of Aberdeen, the figure is 12%.

So if his argument about the size of Edinburgh's public sector is as overdone as a steak burned to charcoal, what about his substantive point regarding the banking bailout and the financial sector?

The fact that RBS was based in Edinburgh is incidental, as was the fact that most of its problems would have instead been Barclays had they won the battle to take over ABN Ambro. If the bailout hadn’t happened, to avoid a worldwide contagion there would have needed to have been a bailout from other UK or overseas investors. The alternative was a firesale of assets – i.e. people’s mortgages and businesses all over the UK being flogged off to the first bidder to try and avoid meltdown. As such, the bailout propped up a great deal more than just banking jobs, be they in Edinburgh or anywhere else for that matter.

Unaccountably, he goes on to place part of the blame for Edinburgh's supposed dependence on the public purse to the Scottish Parliament, pleading bizarrely “mea culpa along with the rest of us who argued for devolution. Naively, we thought this might benefit Scotland as a whole, but we forgot the lesson that when you follow the money it invariably resides where politicians lie.” On that front, you can include me out, Iain. Bringing St Andrew's house under proper democratic control while providing a forum for national debate and lawmaking has been an unqualified good.

Let's leave aside the fact that Edinburgh was an administrative capital long before devolution, and that Holyrood had no power over the banking crisis, either in terms of the response or the failed regulation beforehand. His argument seems to be that since most of Edinburgh's top 10 largest employers are public sector and that 'some brewing' takes place, it’s therefore public cash that keeps the private sector going. Frankly, that argument is nonsense on stilts.

There's no reason to doubt the figures – only his conclusion. The public sector has some big employers in Edinburgh, which provide jobs for plenty of people who live outside and travel to work in the city. What his use of these figures ignores is the less obvious private sector activity going on in smaller entities, which collectively dwarfs the public sector. As you can see from the earlier spreadsheet, where Edinburgh is concerned, there's around 93,000 public sector jobs and 211,000 in the private sector. Notwithstanding the fact that some of those public sector jobs are national rather than local, you still need some heroic multiplier effects to argue that 93,000 sustains 211,000 rather than the other way about.

Just think on the few acres down at Westfield, near Gorgie, where you'll find Wolfson Microelectronics, which makes chips for every iPhone in the world, alongside a large distillery, a kitchen manufacturer and chemicals firm Macfarlane Smith. Go down Calder Road into Wester Hailes and you'll see Burton's biscuit factory. In the north, you'll find BAE Systems. Around Lothian Road, you'll find Standard Life (Edinburgh's 6th biggest employer), Scottish Widows (9th) and Baillie Gifford – significant parts of the financial sector that have stayed profitable, even if it doesn't suit Mr MacWhirter to acknowledge it.

There's too many other enterprises to mention, but we can go right down in size to our SMEs and all the mom and pop enterprises like the butcher, the baker, the candlestick maker, and the white vans of the self-employed parked on the streets of comfortable but unpretentious parts of town other than Barnton or the Grange. It's that which makes the Edinburgh economy go round just as it does everywhere else – with people borrowing, investing and getting on with providing goods and services to make a living, whatever life throws at them.

Generally, I find much to admire in Iain Macwhirter's writing and often find him a rare voice of sanity. Here, though, he's barking up the wrong tree entirely. Cut the service sector some slack Iain and reflect on the fact that despite the tales of gloom Edinburgh, and Scotland, continue to have a robust economy thanks to interdependent private - and public - sectors.

Link to Graph showing number of jobs by Scottish Constituency

 

Fail, Caledonia!

Despite being a proud son of the city, I’ve never been much of an Edinburgh Festival person. If pressed why, I’d put it down to my own days as a musician, where after playing solidly with my band most of the week during summer, I was more inclined to want to spend a Saturday night in the pub with friends, in preference to trawling around the city in search of a bit of culture.

With that said, I love the atmosphere of the city during festival time. It really is impossible to be immune to the cacophony of creativity which emerges from the capital each August. While I only went to one Fringe show this year, one of the productions in the official Festival which I regretted not being able to see was ‘Caledonia’, a play by Alistair Beaton performed by the National Theatre of Scotland.

It's based on the story of the Darien scheme, or as the blurb puts it - Scotland's “failed foray into colonialism”. It is a story of “greed, euphoria and mass delusion”… of a “small, poor country mistaking itself for a big, rich country - an ancient story for modern times”. Even if the marketing weren’t so unsubtle and self-flagelatory, the parallels with the present financial crisis would be blindingly obvious.

Darien is widely held to be a failure, a cause of shame - the final, conclusive proof that collectively, Scots just weren’t up to it. However, what’s forgotten is the initial Dutch and English backing for the project. The very existence today of the Panama Canal stands as testimony to the wisdom of using Panama as a trade route to Asia. Yet if the concept was sound, the execution was not. In the end, despite the malaria and the unpreparedness of the settlers for their conditions, it was the eventual opposition of the English and Spanish colonial powers to a palpable threat to their dominance which finally did for the adventure.

There’s no doubt the crushing blow which the aftermath of Darien had on Scotland and it’s a tale worth telling, just as it is worth pondering the path it set Scotland on to union with England just a few years later. It's also worth pondering how, with a shared monarch, Scottish interests were subordinated to those of England and how in the free market now offered by the EU, the rationale for a narrow British Parliamentary union has all but disappeared. However, what’s been puzzling me is the split personalities which some seem to adopt when discussing the production, as evidenced in a recent feature on Radio Scotland.

Scottish colonialism as an independent country was exploitative and bad, we were invited to conclude, as if that, as much as Darien's eventual demise rendered our forbears as collectively unworthy. However, fast forward a few years and as part of the United Kingdom, Scotland was one of the most successful colonial powers in the world – an enterprise which the reporter appeared to suggest was somehow worthy. I’m really not sure there are enough hours which could be spent on the psychiatrists couch trying to get to the bottom of that contradiction.

And in fairness, that's not the impression that the writer or the director have given in interviews of how they see the play and its context. In fact, it's what they have to say when speculating about the impact that Darien may have had on the national psyche, insofar as it exists, which is arguably of greatest interest.

As director Anthony Neilson said in a recent interview with The Scotsman's Chitra Ramaswamy: "Scots aren't seen as being the most optimistic of people". "The sense of humour is fatalistic. But it's interesting that there was a moment when we weren't like that. A moment when we came together and had this spirit of fervour... and then it went wrong. What part did that play in the psychology of the nation?"

What part indeed? We Scots often seem to have a strangely ambivalent attitude towards success. However, it's our attitude towards anything which is not successful which is particularly lacerating, especially when it comes to the personalities of those involved. Sometimes, it seems that the greatest shortcoming any Scot can have in the eyes of some of their compatriots is not to fail, but to inspire in others a hope which fails to come to fruition.

It's an extraordinary mindset when it manifests itself. The overwhelming desire not to be taken for a mug; the near certainty that things can't be done or that new ways simply won't work; which leads us to be excessively sceptical of opportunity where it may exist or the possibility of success. The wisdom of crowds can be scant at the best of times – the cynicism of crowds sadly less so.

All human achievement and discovery has resulted from failure as a learning, iterative process, coupled to the determination to try again. We need our dreamers, our visionaries and those who can think big thoughts. Rather than castigate or ridicule those who face setbacks, whether in sport or business, when they encounter a lack of success, we should be mature and reflective enough to let them try better next time, and whether they manage it or not, to benefit collectively from their experience.

There is seldom anything to regret in failure, only in not having tried. If we were looking for a motto which would serve Scotland better in the modern age than the truculent and spiky Nemo Me Impune Lacessit, it would surely be to Fail often, fail better, and succeed finally. 

---

MUSIC FOR JAMES V
at Stirling Castle

On the anniversary of the Battle of Stirling Bridge, a spectacular candlelit choral concert marking the online publication earlier this year of a complete hypertext edition, with first-ever modern English translation, of the massively influential history of Scotland - the "Historiae Scotorum" - by Hector Boece, friend of the great Erasmus, and first principal of Kings College Aberdeen.

This candle-lit celebration of the grandeur and the glory of Renaissance Scotland at Stirling Castle on Saturday 11th September at 7.30 will be given by Musick Fyne of Inverness, directed by James Ross, with Jamie Reid Baxter singing the part of the celebrant.

 

Not to be missed: tickets from museum@smithartgallery.demon.co.uk
Tel: 01786 471917. Advance booking is recommended; but tickets can also be obtained at the door of the Great Hall on the night.

But do check with the Stirling museum first re availability on the night!